The best that Victor can think to do is to run away and hide throughout the rest of the novel he will continue to do so. All of Victor's hopes and grand schemes are destroyed, 'the beauty of the dream vanished' and the nightmare begins. Then the moment of realisation comes that he has failed in his ambition to create something glorious: 'Beautiful! - Great God!' For Victor (and the reader) this is a turning point which marks a moment of change. They are, at this moment, too intense for him to put into words and he is robbed of the power of speech. This also shows he is literally lost for words to describe his feelings. There is a hint that Victor knows that all is not well when he refers to his creation as 'the lifeless thing' and this is borne out by the first physical detail mentioned, the Monster's 'dull yellow eye.' Victor asks Walton (to whom, of course, he is narrating his story) a rhetorical question: 'How can I describe my emotions.?'. However, the setting in which his final experiment takes place is foreboding and the details of the 'dreary night', the rain and the almost extinguished candle give the scene a Gothic pessimism which is at odds with the feelings he should be experiencing. Victor has been working on this particular scheme for two years and is full of anticipation about what is going to happen. Study with Quizlet and memorize flashcards containing terms like literature, genre, subgenre and more. a rule of conduct for living communicated in a literary work. Even though these guys and gals came from and wrote about a defeated region, they ultimately found triumph on the literary scene.The passage that describes the Monster coming to life is a key point in the novel. an ancient type of short fiction illustrating a moral or satirizing human beings, often animals that talk and act like humans. Some of the greatest American writers of all time-big shots like William Faulkner and Flannery O'Connor-are associated with Southern Gothic. The etymology of the word 'Gothic' is from the French gothique and in Latin, Gothi, which means 'not classical.'A reference to the ancient Germanic people's language, it became a medieval style of art and architecture that emerged in Northern Europe in the 1640s, and by the 19th century became a literary style that used medieval settings to suggest mystery and horror. Though it had its roots in the 19th century, in the Gothic genre and in the works of writers like Edgar Allan Poe, the Southern Gothic movement developed in the early 20th century and reached its peak toward the middle of the century. So is it any wonder that we'll find lots of grotesqueness and violence in Southern Gothic literature? And the institution of slavery, which was the bedrock of Southern society for hundreds of years before the war, was even more grotesque. The war itself, of course, was a pretty grotesque experience. Southern Gothic, the literature that developed as a result of this questioning, raises issues like: Why is violence such a huge part of Southern culture? How did the South's history of slavery and racial oppression warp Southern society? Why did the South have such a hard time picking itself up after its defeat in the war? The Civil War forced Southern writers-many of whom were born in the aftermath of the war-to really think about what it meant to be Southern. The Civil War, which brought an end to slavery in the South, left behind it a society that was devastated, economically and socially, by defeat. This lit is not for the squeamish.īut Southern Gothic literature is full of doom and gloom for a reason: it totally developed in the wake of the Civil War (1861-1865). That's right: we're talking about Southern Gothic literature, where we'll find a healthy dose of the grotesque, a hefty dash of violence, and as much disintegration and decay as the gothiest goth could want. Southern-gothic-kafka-and-moby-dick-moby-dick-what-is-southern-gothic.
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